Westside DIGS | Digital Edition Online

February 19, 2021

DIGS is the premiere luxury real estate lifestyle magazine serving the most affluent neighborhoods in the South Bay and Westside of Los Angeles, California.

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2.19.2021 | DIGS.NET 19 the transition between the different spaces. She relied on muted tones (beige, gray, white and cream) to shape the calm atmosphere. "We used natural neutral colors; the joke was the house was done in 'shades of a mouse.' The owners wanted it to be textured and layered but not have the furnishings be loud in anyway," says Warner. Artwork supplies pops of color. The large, south-facing garden designed by Scott Lewis Landscape Architecture—which is quite unique for an urban house in San Francisco—helps create an outdoor-indoor connection. In this charming outdoor area, the majestic, century-old copper beech tree is the focal point. "The clients wanted to be near it, preserve it and feature it," Principal Scott Lewis says. "We did everything possible to get the family literally close to the tree and under its canopy during their daily life." The architect made the most of this element, too, using it as a way to provide privacy for the master bedroom with its floor-to-ceiling windows that give the feeling of being in a treehouse. Combining classic and contemporary style, this San Francisco home reflects a true sense of harmony, not only through its original architecture and modern addition, but also in its peaceful interior spaces. It's a house filled with natural light, thanks to a corner location and also to a big skylight that Walker Warner added at the top of the stairs, and one where every element seamlessly merges with the other, joining together past and present and laying the foundation of the future of the house. walkerwarner.com THE ARCHITECTS DESIGNED A MODERN TWO-STORY GEOMETRIC VOLUME SURROUNDED BY GLASS. "We did everything possible to get the family literally close to the tree and under its canopy during their daily life." — Scott Lewis A R C H I T E C T U R E + D E S I G N

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